Viewing Room

Showcasing the diversity of Bruce Nauman’s expansive practice, ‘Dead End Tunnel Folded into Four Arms with Common Walls’ (1980) and ‘Hanging Heads #1 (Blue Andrew, Mouth Open / Red Julie with Cap)’ (1989)...

Capturing the lyrical rhythms of a grove of trees, Joan Mitchell’s ‘Trees’ (1990-1991) is a monumental diptych that was completed in the penultimate year of the artist’s career. This captivating composition...

Part of an ongoing series, the work brings together distinct strands of Baghramian’s practice: ‘Side Leaps,’ a body of sketches, drawings, and maquettes produced throughout her career that function as...

Gerhard Richter’s ‘Abstraktes Bild’ (‘Abstract Painting’) (2015) is a seminal late painting created at a pivotal moment in his career, following years of experimentation with glass works and his digitally...

In ‘A Memory of Place: Landscape for a Quiet Body’ (2026), Amy Sherald brings together portraiture and landscape painting to evoke the body as a site of memory and place. The landscape resting across the...

Juan Gris’s ‘La bouteille de Bordeaux’ (1913) represents a pivotal moment in the development of cubism. Incorporating the technique of papier collé, which Gris pioneered alongside Pablo Picasso and Georges...

Philip Guston’s ‘Double Portrait’ (1969) stands among the most important examples of the artist’s iconic Hood paintings. First shown in Guston’s seminal Marlborough Gallery exhibition in New York in October...

‘What are you doing in here’ (2018) is a consummate example of Mark Bradford’s distinctive visual lexicon and his pioneering mode of ‘social abstraction.’ Layering and transforming quotidian materials...

Emerging from Guston’s prolific final years, ‘Conversation’ (1978) abounds with autobiographical references. This tender self-portrait develops Guston’s key visual motifs: the head in profile with its...

Strikingly vertical and pointed at both ends, Louise Bourgeois’s ‘Persistent Antagonism’ (1946-1948) is an extraordinary work from the artist’s landmark ‘Personage’ series, which marked her debut as a...

‘Coping’ (2008) is a masterful example of Nicole Eisenman’s allegorical paintings, which merge the autobiographical with art history and fiction to create a cutting critique of present-day social and political...

At an undisclosed time, a lamé-clad go-go dancer ascends a light blue platform with a personal listening device. Surrounded by 48 illuminated lightbulbs, listening to music of their own choosing, they...