News

Selected Press

New York Magazine

Jerry Saltz

7 April 2025

The Wary Gaze of Amy Sherald

‘[...] Sherald has said, 'I had a career before Michelle Obama.' This is more than evident in her new mid-career survey at the Whitney, 'American Sublime,' an experience in having your breath taken away.’
© Amy Sherald. Courtesy the artist and Hauser & Wirth. Photograph by Joseph Hyde

NZZ

Roman Bucheli

4 April 2025

Roman Signer

‘I knew that I was a maverick in art, I stood against the current.’
Ausstellungsansicht / Installation view / Vue d‘installation Kunsthaus Zürich, 2025 Photo: Franca Candrian, Kunsthaus Zürich Werke / Works / Œuvre: © Roman Signer

TIME

Belinda Luscombe

31 March 2025

Rashid Johnson and the Fine Art of Anxiety

‘He has a level of patience; he allows things to come to him.’
Portrait of Rashid Johnson. © Rashid Johnson. Photo: Joshua Woods

Tages Anzeiger

Andreas Tobler

30 March 2025

The police have taken away his explosives, but he continues

‘Roman sees things that we don't see. Roman Signer recognizes the potential for art in the everyday.’
Portrait Roman Signer Photo: Stefan Rohner

Le Monde

Emmanuelle Jardonnet

29 March 2025

Gallery selection: Frank Bowling at Hauser & Wirth

'The atmospheric abstraction readily evokes landscapes: glowing suns, lush nature, or liquid horizons.'
'Back to Snail' (2000), by Frank Bowling. © Frank Bowling. Photo: Alex Delfanne

The New York Times

Holland Cotter

27 March 2025

Jazzed About Abstraction: Jack Whitten’s Show Is a Peak MoMA Moment

‘So what, exactly, do you have here?...An art whose messages are historical, mystical, personal, by a radically inventive artist who ranks right at the top of abstraction’s pantheon, as will become clear in the exhibition ahead.’
Jack Whitten The Messenger (For Art Blakey) 1990 Acrylic on canvas 147.3 x 132 cm / 58 x 52 in

Harper's Bazaar

Stephen Mooallen

20 March 2025

Lorna Simpson Is Living in the Moment

‘Lorna Simpson has turned her love of rocks into exquisite,12-foot-tall paintings that are eerie, intoxicating and formidable. It’s been a tectonic shift.’
Portrait of Lorna Simpson, 2019. Photo: James Wang

The New Yorker

17 March 2025

Amy Sherald’s 'Miss Everything (Unsuppressed Deliverance)'

Cover of the March 24, 2025 edition.
Amy Sherald, 'Miss Everything (Unsuppressed Deliverance)' oil on canvas 2013 © Amy Sherald Photo: John Etter

British Vogue

Charlotte Jansen

16 March 2025

Life Drawing: How Michaela Yearwood-Dan Is Shaping The Future Of Abstract Art

'I’m asking you as the viewer to spend time with the work, not to look at it, to spend time with it.'
Portrait of Michaela Yearwood-Dan, 2025. Photo: Jack Davison

Vogue

Dodie Kazanjian

10 March 2025

In an Upcoming Show at the Metropolitan Museum of Art, Lorna Simpson Goes Straight to the Source

‘I’ve had to disengage with labels of what kind of artist I am or what I do.’
Portrait of Lorna Simpson, 2024. Photo: Ming Smith.

The Brooklyn Rail

Ann C. Collins

5 March 2025

CATHERINE GOODMAN with Ann C. Collins

‘I’m very keenly aware that painting, for me, is a place of spiritual growth. And I think if you see my paintings, you can see that.’
Catherine Goodman in her studio, London, UK, 2024 © Catherine Goodman. Photo: Damian Griffiths

The Los Angeles Times

Meka Boyle

5 March 2025

The artist Charles Gaines, his beauty and poignance

‘I needed to dismantle that system, to put a firewall between what I would call an intuitive notion and my artistic practice.’
Installation view,‘Charles Gaines. Numbers and Trees, The Tanzania Baobabs,’ Hauser & Wirth West Hollywood 19 February – 24 May 2024 © Charles Gaines Courtesy the artist and Hauser & Wirth Photo: Keith Lubow

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