Untitled Anxious Red Drawings
16 April 2020
Online Exhibition
With the online exhibition ‘Untitled Anxious Red Drawings,’ American artist Rashid Johnson introduces a selection of new works made since the onset of the global coronavirus pandemic. Using oil stick on cotton rag paper, the artist has here updated the visual language of his long-established Anxious Men series, in which deceptively crude archetypal faces express the fundamental tensions and traumas that course through contemporary life. By departing from his signature use of black wax to adopt a blood red medium for the first time in this well-known series, Johnson captures the 'life and death' urgency of an unprecedented moment that is now both separating and connecting communities around the globe. His Anxious Red Drawings could be read as history paintings for our times.
Whereas Johnson’s Anxious Men series has been characterized by faces scratched into the pictorial surface in a kind of drawing through erasure, his new Anxious Red Drawings employ only the direct application of intense colour. The repeated motif in his new works suggest both the ongoing context of global instability and a new reality to which everyone must bear witness and in which everyone must participate.
Johnson’s frenetically drawn, iconic faces confront the viewer with a visceral immediacy. In this respect, the medium of drawing is critical for Johnson. ‘I’ve never thought of drawings as a precursor to a more substantial object,’ he has said. ‘I’ve always thought of drawings as objects that are final’. At a time when the world has come to a standstill, Johnson reflects on the solitary nature of his practice and the autonomy that comes with drawing, he describes social distance as deeply complicated yet familiar as he is used to working alone. In this respect, he says, ‘it has not changed much for my drawings, but it has changed my thinking’.
Rashid Johnson will donate 10% of his proceeds of the sale of works from this exhibition to the COVID-19 Solidarity Response Fund for the World Health Organization, matching Hauser & Wirth’s commitment to support the Fund through donation of 10% of its gross profits from all online exhibitions, as part of the gallery’s ongoing #artforbetter initiative.
Born in Chicago in 1977, Rashid Johnson is among an influential cadre of contemporary American artists whose work employs a wide range of media to explore themes of art history, individual and shared cultural identities, personal narratives, literature, philosophy, materiality, and critical history. Johnson received a BA in Photography from Columbia College in Chicago and studied for his masters at the School of the Art Institute of Chicago. Johnson's practice quickly expanded to embrace a wide range of media—including sculpture, painting, drawing, film making, and installation—yielding a complex multidisciplinary practice that incorporates diverse materials rich with symbolism and personal history. Johnsons work is known for its narrative embedding of a pointed range of everyday materials and objects, often associated with his childhood and frequently referencing aspects of history and cultural identity. Many of Johnson’s more recent works delve into existential themes such as personal and collective anxiety, interiority, and liminal space.
Recent solo exhibitions include: ‘Seven Rooms and a Garden. Rashid Johnson + Moderna Museet’, Moderna Museet, Stockholm, Sweden, 2023; ‘Rashid Johnson. Nudiustertian’, Hauser & Wirth, Hong Kong, 2023; ‘The Chorus’, The Metropolitan Opera, New York NY, 2021; ‘Summer Projects. Rashid Johnson’, Creative Time, New York, NY, 2021; ‘Rashid Johnson. Capsule’, National Gallery of Canada, Ottawa, Canada, 2021; ‘The Crisis’, Storm King Art Center, New Windsor NY; ‘Rashid Johnson. Waves’, Hauser & Wirth, London, UK, 2020; the touring exhibition ‘Rashid Johnson. The Hikers’ at the Aspen Art Museum, Aspen CO, the Museo Tamayo, Mexico City, Mexico and at Hauser & Wirth, New York, 2019; ‘Provocations. Rashid Johnson’, Institute for Contemporary Art, Richmond VA, 2018; ‘Rashid Johnson. No More Water’ at Lismore Castle Arts, Lismore, Ireland, 2018 and ‘Rashid Johnson. Hail We Now Sing Joy’ at The Kemper Museum of Contemporary Art, Kansas City MO which traveled to the Milwaukee Art Museum, Milwaukee WI, 2017.
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Downtown Los Angeles
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The Fact That It Amazes Me Does Not Mean I Relinquish It
13 September 2024 – 5 January 2025
Downtown Los Angeles
2 November 2024 – 11 January 2025
New York, 22nd Street
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