As part of our ‘Phyllida and Film’ series, join us for a screening of Robert Bresson’s 1956 prison-break story ‘A Man Escaped’ at King’s Bruton.
Phyllida Barlow’s lively and informed interest in art, literature, music, film and the performing arts was as broad as it was varied. Coinciding with the exhibition, ‘Phyllida Barlow. unscripted’, this film program has been selected by curator Frances Morris, with active involvement from Barlow’s husband Fabian Peake. The films celebrate Barlow’s love of the absurd, of making and creating in new ways, and her curiosity for the world around us.
Tickets are free and include a glass of wine or soft drink on arrival. If you are able, we suggest a £7 donation to support our 2024 – 2025 charity partner, Good Company Bruton.
Advance booking is essential and seats will be allocated on a first come, first serve basis. We recommend an age rating of 13 years and above for all the screenings. Children must be accompanied by an adult at all times. You are welcome to bring your own food and drink to the screening.
Please note that the screening will be in French with English subtitles.
Free parking will be available on site at King’s Bruton. A map will be provided to attendees in advance of the event.
About ‘A Man Escaped’
‘A Man Escaped’ (1956), directed by Robert Bresson, is a Second World War film adapted from the memoir of French soldier and resistance leader André Devigny. Set in a Lyon in 1943, the film follows the protagonist Fontaine as he attempts to break out of a Nazi-run prison hours before his scheduled execution. One of Bresson’s most acclaimed works, ‘A Man Escaped’ is an austere and poignant investigation into humanity, faith and freedom.
The film length is 1 hour 39 minutes with no interval.
About ‘Phyllida Barlow. unscripted’
The work of Phyllida Barlow (1944 – 2023) takes over Hauser & Wirth Somerset in a celebration of the British artist’s transformative approach to sculpture, marking the 10th anniversary of the arts center that was inaugurated by Barlow’s solo exhibition ‘GIG’ in 2014. The landmark exhibition, curated by Frances Morris, draws on her close working relationship with the artist during her lifetime. ‘Phyllida Barlow. unscripted’ explores the evolution of Barlow’s formal and expressive vocabulary, bringing together singular sculptures, installations, studio maquettes and drawings from her extensive career, some of which will be on public view for the first time.
The exhibition is on view through Sunday 5 January 2025.
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Photographs will be taken at this event for use on the Hauser & Wirth website, social media and in other marketing materials.
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