Discover extraordinary masterpieces from celebrated modern masters and leading contemporary artists coming to market.
Exhibited at the historically significant 1905 Salon d’Automne in Paris, Édouard Manet’s ‘Pelouse du champ de courses à Longchamp’ (1865) belongs to the artist’s rare racecourse pictures, comprised of only six known oil paintings as well as a handful of sketches and watercolors.
‘Interior in London, Brunswick Square’ (1912) is an extraordinary example of Vilhelm Hammershøi’s seminal late work. It was painted during Hammershøi’s final of several highly influential trips to London and depicts the windows and view from the Bloomsbury flat he rented between November 1912 and January 1913.
Rita Ackermann’s ‘American Iconology’ (2024) belongs to a body of work that debuted at Hauser & Wirth New York in 2024. Titled ‘Splits,’ these works feature fragmentary figures and distinct registers that recall the artist’s ‘Variations’ from 2022.
Louise Bourgeois’s commanding spider sculptures are among the most iconic works of the past century. First depicted in a 1947 ink and charcoal drawing, this motif evolved into a prevailing theme in her sculpture by the mid-1990s, with ‘Spider I’ (1995) standing as a quintessential early example.
A remarkable example of Ed Clark’s late work, ‘Green & Yellow-White’ (2004) demonstrates the artist’s singular approach to abstraction, materiality and color. In this monumental painting, wide swathes of paint were applied with confidence, resulting in a dazzling choreography of sea glass green, sunny yellow, crisp white and crimson red.
‘Still Life’ (2024) is a remarkable example of Nicolas Party’s alluring, imaginative still lifes. Party breathes new vivacity into this important historical genre, borrowing aesthetic flourishes from European masters such as Rachel Ruysch and Jan van Kessel.
‘Ode to Andy: For Andy Warhol’ (1986) showcases Jack Whitten’s pioneering approach to painting and abstraction. One of the highlights of his celebrated retrospective at Berlin’s Hamburger Bahnhof in 2019, the work is an outstanding example of Whitten’s famous memorial paintings and innovative ‘acrylic collage.’