Art Genève

Standout sculptures include Louise Bourgeois’ ‘Janus in Leather Jacket’ (1968), Alina Szapocznikow’s sculpture ‘Ventre-coussin (Belly Cushion)’ (1968), complementing her forthcoming exhibition at Kunstmuseum Ravensburg, and William Kentridge’s bronze vessel ‘Fill’ (2017), anticipating his exhibitions at Staatliche Kunstsammlungen Dresden and the Museum Folkwang in Germany later this year.

Further contemporary works include a video installation ‘Marmelade Playhouse’ (2024) by Pipilotti Rist, the Swiss artist with a summer show at UCCA Center for Contemporary Art in Beijing. In addition to a work on paper by Rita Ackermann, the presentation includes never-before-seen paintings by Zhang Enli and Angel Otero. Frank Bowling’s striking collaged canvas ‘Pink over yellow’ (2013) gives an insight to his exhibition at Hauser & Wirth Paris, on view from 22 March – 26 May 2025, which will explore the vital importance of collage within Bowling’s practice and thinking.

The fair selection will also showcase European greats beyond the gallery’s roster, including historic artists Niki de Saint Phalle, Marianne von Werefkin and Carol Rama, in addition to key Swiss masters who complement Hauser & Wirth’s roots, such as Irène Zurkinden, Richard Paul Lohse, Louis Soutter, Verena Loewensberg and the German-Swiss Meret Oppenheim.

_{Hélène Delprat, L’ornement comme crime (detail), 2023 – 2024, pigment, acrylic binder and glitter on paper mounted on canvas, 196.7 x 277 x 4 cm / 77 1/2 x 109 x 1 5/8 in © Hélène Delprat / ADAGP, Paris (2025). Photo: Nicolas Brasseur}