Hauser & Wirth
News

Selected Press

Time Out

Eddy Frankel

9 May 2024

Harmony Korine: ‘Aggressive Dr1fter Part II’

'It’s nothing like most art these days. And what a goddamn relief, because it’s awesome: a break from the homogenous, dominant norm.'
Harmony Korine, 'STILTS ZOON X2.' ©Harmony Korine. Courtesy the artist and Hauser & Wirth. Photo: Keith Lubow

W Magazine

Michael Slenske

9 May 2024

Jennifer Rochlin Tells Her Life Story, One Wonky Pot at a Time

'I love the rawness, the different shapes, the paintings.… Each piece is unique—even the inside of the vessels is painted,' says Hauser & Wirth cofounder and copresident Manuela Wirth, who fell in love with Rochlin and her pots on a visit to her studio.'
Jennifer Rochlin Studio, Altadena, CA. © Jennifer Rochlin. Courtesy the artist and Hauser & Wirth. Photo: Keith Lubow

Artnet News

Whitney Mallett

2 May 2024

Rita Ackermann’s Elusive Quest for Truth (or At Least Cinema Vérité)

‘An artist makes a work, but then the making doesn’t stop when the artwork is finished by the artist. Once it’s exhibited, it’s really in the making still with the viewers’ vision, and what the viewers add to it. And that’s the real mystery about the greatness of art.’
The artist Rita Ackermann. Photo: Daniel Turner. Courtesy of Hauser & Wirth.

Frieze

Cassie Packard

1 May 2024

Hand-in-Hand: How Commercial Galleries Are Embracing Performance Art

'Russell Salmon, director of public programs at Hauser & Wirth, likewise points out that performance is in the gallery’s DNA, with artists like Kaprow and Paul McCarthy. Hauser & Wirth’s West 18th Street outpost in New York, which opened last year, features an amphitheater for public programs including performance.'
POSSIBILITIES OF MATTER: Creative Workshop with Poncili Creación, Hauser & Wirth Los Angeles. © 2023 Sarah M Golonka

Artnet News

Eileen Kinsella

30 April 2024

Frieze Forecast: the Venice Effect Hits NYC, Spotlight on Latin American Women, and More

'Clark’s work in particular seems to be having a moment...His palette is at once dissonant and harmonious and his broad, broom-size brushstrokes convey remarkable visual eloquence.'
Nicole Eisenman, Emerged, Not Me (2023). © Nicole Eisenman. Image courtesy the artist and Hauser & Wirth. Photo by Thomas Barratt.

The Financial Times

Melanie Gerlis

27 April 2024

Art galleries turn to fresh forms of collaboration as market splinters

'Hauser & Wirth’s management sees Collective Impact as 'an entrepreneurial way to support a smaller structure and put the artist in mind first,' says gallery president Marc Payot. The idea, he says, came up during the pandemic, 'when the gap between the larger galleries and the rest of the ecosystem got bigger.'
‘Good Morning’ (2023) by Uman © Courtesy the artist/Hauser & Wirth/Nicola Vassell Gallery. Photo: Sarah Muehlbauer

Artsy

Maxwell Rabb

22 April 2024

5 Ways Galleries Are Making the Art World Greener

‘One single artist studio or gallery can’t shift the landscape, but collective action amplifies our efforts, builds a movement, and contributes to climate resilience.’
Portrait of Cliodhna Murphy. Courtesy of Hauser & Wirth.

The New York Times

Ted Loos

19 April 2024

Roni Horn, a Restless Artist With 4 Shows and More Identities

'I think that the beauty in [my new works] is a manifestation or an artifact of this concept that I’ve developed.'
A show at Hauser & Wirth’s gallery in SoHo, Manhattan, features six of Horn’s luminous cast-glass pieces. Her glass works, which can weigh up to five tons, have become a signature. © Roni Horn and Hauser & Wirth; Photo: Ron Amstutz.

Wallpaper*

Osman Can Yerebakan

17 April 2024

Berlinde De Bruyckere’s angels without faces touch down in Venice church

'There is a sense of resurrection, an element of mortality that is already a part of the environment.'
‘Berlinde De Bruyckere. City of Refuge III’, Abbazia di San Giorgio Maggiore, Venice, 20 April – 24 November 2024. Collateral Event of the 60th International Art Exhibition – La Biennale di Venezia. © Berlinde De Bruyckere. Courtesy the artist and Hauser & Wirth. Photo: Mirjam Devriendt.

Time Magazine

Kiki Smith

17 April 2024

Jenny Holzer: Time's 100 Most Influential People of 2024

‘Jenny has allowed her art to grow by embracing collaboration and new technologies, but her singularity as an artist has always persevered and her work continues to be radical.’
Portrait of Jenny Holzer. © 2011 Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Nanda Lanfranco.

The New York Times

Andrew Maerkle

15 April 2024

Match Made in Venice: Tadao Ando and Zeng Fanzhi

‘[Tadao Ando's] design achieves a synthesis of Eastern and Western philosophies of painting, all presented through architecture. It inspired me as I worked on the paintings for the exhibition.’
Tadao Ando’s exhibition design for “Zeng Fanzhi: Near and Far/Now and Then” in Venice uses light and shadow to accentuate the interaction between the artworks and the site, the Scuola Grande della Misericordia. Photo: Stefan Altenburger.

Mousse Magazine

Paulo Miyada

15 April 2024

The Languages I Speak Carry Accents: Anna Maria Maiolino and Paulo Miyada in conversation

‘In art, however, I found shelter, solace, healing, a fertile territory where I could rebuild my sense of home.’
Anna Maria Maiolino, Contínuos II (Continuous II), from Terra Modelada (Modeled Earth) series, 1994–2010, “Anna Maria Maiolino” at Fundació Antoni Tápies, Barcelona, 2010. Photo: Lorenzo Duaso

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